Well, with a little more care and thought, these temporary music tracks can become the final score. Why use music which is less good when there is such a multitude of great orchestral music available from the past and from our own time? When you're editing a film, it's very helpful to be able to try out different pieces of music to see how they work with the scene. Kubrick and company had originally commissioned seasoned film composer Alex North, whose work can be heard in classic films such as Who's Afraid of Virginia Woolf, A Streetcar Named Desire, and Spartacus, to create an original classical score for 2001: A Space Odyssey. As you're about to hear, it's not quite what Kubrick had in mind.Īlthough it's hard to say whether or not this particular section of North's original score was actually meant to underpin the film's opening - I have my doubts that it was - it's still fairly clear that the opening feels sorely lacking without the Strauss piece and that some of the cheerful, antiquated horn riffs in the score just weren't what Kubrick had in mind for his philosophical space epic.Īs for how Kubrick ended up with the musical choices that we've all come to know and love (well, most of us anyway), here's what he had to say about the process in an old interview with Michel Ciment. I'm talking, of course, about the opening sequence to Stanley Kubrick's 2001: A Space Odyssey, which featured the previously little-known tone poem "Thus Spake Zarathrustra" by German composer Richard Strauss. It's even rarer that that scene is a monumental one in cinema's history and features one of the most iconic pieces of music ever written. It's not often that we get a chance to view a famous scene with music that didn't make the final cut.
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